
Tobias Ellehammer was born in Copenhagen, Denmark, and today the world knows him as a dancer, choreographer, and creative director who loves to mix bold ideas with equally bold footwork. His inventive style has landed him jobs with global stars—most recently contributing choreography for Justin Timberlake’s world tour, and multiple classroom hits at Millennium Dance Complex in Los Angeles. Viewers have also spotted his work on TV franchises such as The Tonight Show featuring Jimmy Fallon, The X Factor UK, The Graham Norton Show, and the Korean show Road to Kingdom: Ace of Ace, where his sharp musicality and storytelling grab attention fast.
Ellehammer’s confidence onstage traces back to a childhood filled with music, theatre trips, and constant encouragement from an artistic family who consistently made it a priority to experience concerts and theatre. Those early outings taught him that every step can tell a story, and he has chased that belief ever since. Some days he practiced breaking on the pavement; other days he shaped full routines in the studio. By fifteen, he felt brave enough to run his first class, eager to pass on what he had learned.
Visits to grand cities such as London, New York, and a little later, Los Angeles opened more doors. Training sessions at industry hubs and several auditions showed him how big the dance world really is and pushed him to dream wider. Soon, he was flying out again—this time as a teacher and choreographer. Over the years he has led workshops, intensives, and master classes in more than twenty countries, proving that energy travels well when the art is honest.
Today, whether he’s staging a slick commercial shoot, dropping a concept video online, or stepping back into a classroom, Ellehammer keeps the same goal: to make movement spark imagination. He blends street styles with theatre polish, never afraid to twist tradition if it helps the audience feel something new. That mix of bravery and play is why fans from Copenhagen to California still line up, press record, and try to copy his moves long after the music stops.